Everyday guitar practice with fretboard patterns should involve concepts like the use of sweep picking with the 3 note per string pentatonic scale in the guitar style of blues or rock. Every guitar player should desire to practice with as many different scale patterns as possible so that he or she can perform the lead lines, licks and runs of a wide variety of guitar artists as well as the varied musical styles that each guitar player has a personal affinity to play.

The guitar student will find more reward in learning the varied methods, namings, visualizing and thinking of chord, scale, and arpeggio patterns on the fretboard.  In some ways, the differences are minor, but often they can be very obvious and the benefit of learning them can easily result in transitioning around the fretboard easily.   Learning your guitar patterns from alternate views of music theory and fretboard theory will result in a large impact on your guitar playing skill, which is what being a great guitar player is all about.

For example traditional patterns, modern patterns, in position and out of position patterns need to be an integral part of your guitar lessons. Beginner guitar players should learn these right away to save them years of time, trouble and frustration, but that most often never happens for them.  Intermediate guitar players have to have some patterns under their belt to even be at an intermediate level, however, they are usually the most frustrated players because they feel like they are getting somewhere with their instrument, but the are so held up with partial information that they can’t move beyond where they are at.

Advanced players must have some command of scale, chord and arpeggio patterns, to be advanced, yet often they get real fast and efficient with enough patterns to impress others and get by, but they realize how extremely limited they still are, and how they are not really as advanced as they would like to be because of their insufficient scope and grasp of a complete mastery of the fretboard with the current patterns that they already know, as well as the theoretical aspect behind the patterns and their use.

Guitar players want to be able to play the type of leads, licks and arpeggio runs that the pro players are doing, yes since most guitar players have a really poor knowledge of their fretboard patterns and their application of them is so limited that it becomes a set back to their ability to play more and do more with their instrument.  Not only do they need to know the right pattern to use and how to execute them in many different ways, but they also need to know how to practice with them.  Regular practice with the proper set of fretboard patterns is a necessary component of becoming a seasoned player.  Time must be spent with practice, but it is important to know how to practice so that hours a day are not spent with insufficient result.

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